Eight years ago, government made it easier to turn old shops and offices into homes. How's it panning out?
More than 10 percent of the notified homes turned into, it seems, holiday lets.
Advanced technology is costing Dubliners jobs, a trend that’s likely to accelerate. Martin Ford’s book puts this issue in global context.
In “Uncertain Arrival”, artist Stephen Shaw aims to show the city streets through the lens of a disoriented stranger.
The free course will be run by the Centre for Investigative Journalism, and focused on skills such as data journalism, investigating companies, and more.
Eoin Whelehan’s work is inspired by the dusky urban landscapes of graphic novels. Click through to see the full image and read what he has to say about it.
How does the publication of Nicholas Pell’s op-ed and William Reville’s column fit with the paper’s pledges to discourage discrimination, promote tolerance, and oppose hatred?
Spending on “Dublin: A Breath of Fresh Air” campaign, part-funded by DCC, included £135,000 to the Guardian for services including an article by Will Self.
Artist James Devlin says this work is about the desire to be different “even if that means wearing a dress made from fingers”.
These photographs, taken through microscopes, are extreme close-ups of a flower, larva, vitamin C, and butterfly wings.
The latest in our series highlighting contemporary art, artist Dee McCormick’s work “Core” is a heart-felt image that seeks to inspire and uplift.
This work depicts one of the Furies of Greek mythology, “terrifying women” who “represent merciless justice”, the artist writes. This is just a detail – click through to see the full image.
This print was inspired by Lewis Carroll’s “Alice’s Adventures in Wonderland”, the artist says. This is just a detail, click through to see the full image.
The artists hope people will “be confused, but still willing to engage with our work – question it, reframe it, love it, be irritated by it”. This is just a detail – click through to see the full image.