Vacancy Watch: a big site near Fatima Luas stop
Even as the government casts around for new land to zone for homes, it is unclear when this plot will be built out.
The three artists on the ticket “are forward-thinking superfly radicals that indulge in what you might call a romantic urban sound”.
“A lot of avenues are restricted to us because someone else owns it,” says John Ryan of Vsevolod Plotkin. “But no one owns this. It’s public, we can use it.”
“I liked the woman’s matching coat and hair, it seemed like an obvious picture to take.”
To ensure the now vanished shop The Orchard is remembered, he painted it. To try to save the old library building, he ran for council.
The grand Victorian hall at St Ita’s used to host show bands, Christmas dances, and more, says Paschal Henchy, who worked at the hospital for 44 years.
“Take his small body of work together and there’s no doubt about it, this is the kind of new groove to woo us to smithereens.”
Neville Thompson’s 1997 book “Jackie Loves Johnser OK?” has been remade into the new €35.7 million Gilles Lellouche film “L’Amour Ouf”.
This story, set in Dublin, and published in 1895, is one of 18 lost works by Connolly rediscovered by Conor McCabe.
“God forgive me,” sang Jack Fanciulli recently, as his guitar made a wall of feedback and a sample of an indistinct voice played.
With a pen, “you can’t mess around. You can’t rub it out. You have to go for it,” he says. “I love that bit of danger.”
“Global Desires”, the latest from Outlandish Theatre, is scheduled to run at Dublin Theatre Festival this month.
“This photo was taken in Dublin City centre on the junction of Dame Street and South Great George’s Street. It’s one of the busiest parts of town.”