Concerns about continuity of care as Tusla changes 3,000 children’s social workers
“If you read any research with care-experienced voices – every piece of research talks about the importance of continuity of care.”
This is “a relatable, moving and hopeful portrait of a group that disintegrated in a very un-rock ‘n’ roll way”. And then gets another chance.
“The head struggles to make sense of it all, but the heart beats along with every haphazard second of it.”
Báite (The Drowned) is “measured and tight in the fashion of the most watchable mysteries”.
"If it sounds silly, it is. But it’s also charming, heartfelt, moving and much else."
“These films, short as they are, show a lot of imagination and talent.”
The suite of stories in ABODE are “moving, heartfelt and always underpinned by a wry observational humour”.
“Sunphlowers is not exactly a ‘geezer pleaser’ but it does have something in common with the more easygoing, old dog, new tricks, feel of those films.”
Gar O’Rourke’s “Sanatorium” is Ireland’s entry for best international feature film for the next Academy Awards.
Co-writers Dave Minogue and John Doran “draw more out of the premise with pathos than they would with straight laughs and heartstring tugging”.
“That there’s some acknowledgement of dark things on the edge of the frame, in the moments between the smiles, makes Ross Whitaker’s film” worth a watch.
Filmmaker Sarah Share’s “The Graceless Age: The Ballad of John Murry” tells the story of the Mississippi-born musician, who is now living in Ireland.
It’s from Darren and Colin Thornton, the sibling team behind 2016’s “A Date for Mad Mary”, “one of the truly great Irish films of the last 10 years”.