New film documents Dubliners’ resistance to subordination of social life to profit
“The market is a monster,” says filmmaker James Redmond. “It turns living spaces into dead space.”
Medical graduate Obinna Nwako, who was studying psychiatry in Ukraine when the war broke out, is facing challenges trying to come join his family in Dublin.
Even before thousands of Ukrainian refugees began arriving in Ireland, asylum seekers and refugees had said they were struggling to access free English classes.
A spokesperson for the Gardaí said it encourages victims of crimes, including those that “may be perceived to be racially/or hate motivated”, to come forward.
It requires earning a certain amount of money, and people with disabilities that prevent them from working can find this impossible.
At one temporary centre in Clondalkin, parents have been pressing for months for spaces for their kids to play and study.
A spokesperson for the Department of Justice said they rely on post because of “security reasons and in some instances to comply with statutory provisions”.
Others say they’d like to join An Garda Síochána, but find they cannot due to the cut-off of 35 years of age.
Issues began well before excavating contractors hit a cable late last year, prompting the placement of the booms now on the canal, ESB emails suggest.
The handful of Brazilians she has spoken to so far have said they struggle to build meaningful friendships with their Irish neighbours.
“I don’t think the law is consciously homophobic, but it certainly is indirect discrimination,” says solicitor Stephen Kirwan.
In the last three years, Dublin City Council issued 30,800 “road-opening” licences – licences to dig holes in roads – across the city.
In November 2019, when officers at the airport suspected Christian Campos might overstay his visa, he ended up in a cell with guys who said they were in for selling drugs and guns.