A false alarm from the Barclay Crop Protection plant near Mulhuddart in July confused some locals, who didn't know what it was, what it meant, or how to get more information.
People on low incomes, with unstable housing, are bound to be most affected by more stringent policies for citizenship, says Lucky Khambule of the Movement of Asylum Seekers Ireland (MASI).
On the contrary, apartments have limited parking to nudge people away from cars – and the council should hold the line on that, and introduce other nudges too, some transport committee members suggested.
Wall of Valhalla By Paul McGrane Acrylic on wood, 72cm x 59cm
1. This work is about . . . exploring both real and imaginary places. My work consists of non-narrative scenes and landscapes that are generally devoid of human or animal presence, creating an often ominous, dreamlike world. My work references the fictional worlds created in theatre, film and animation, and aspires to act as sets to prompt the imagination.
2. I made this work . . . to discuss the further realm of dreamlike scenarios. What is real and what is not. I question what we perceive as real or imaginary as we go about life.
3. I hope when people see this work they will . . . see the layers of medium that are built up over time to a point where original references are unclear and distorted. Both familiar and foreign, the resulting scenes are often disorienting and unsettling. I want the viewer to feel they have entered a fantastical realm of colour and movement.
4. In terms of art history, this work . . . is part of a larger body of paintings and sculptures. Most works can be pinned down across the board as abstract to slightly surreal, even a certain French impressionist painter gets mentioned by some of those faced with my vibrant landscape paintings.
Curios About is a series featuring works by Dublin artists, curated for us by our friends at the Square in the Circle blog, and hosted there as well as here.
Each artist is asked to submit an image of one work and answer a set of questions about it. We’d love it if you’d submit something you’ve made.
But viewers seeking a beat-by-beat summation of jazz musician Bill Evans’ career will be disappointed by Grant Gee’s film, which is not meant to be a biopic.