Death comes to small-town America when a series of unusual and gruesome murders occur in this shoestring thriller that’s got “cult” written all over it.
The latest in our series highlighting contemporary art, artist Dee McCormick’s work “Core” is a heart-felt image that seeks to inspire and uplift.
This work depicts one of the Furies of Greek mythology, “terrifying women” who “represent merciless justice”, the artist writes. This is just a detail – click through to see the full image.
This is not so much a rags-to-riches story as it is a rags-to-further-rags-and-then-contentment kind of story, writes Luke Maxwell. “I wasn’t born with a silver spoon up my ass,” Tommy Byrne explains.
The sculptor behind the now-armless St Andrew was also behind the statues of Hibernia, Commerce, and Fidelity that sit atop the Bank of Ireland on College Green.
Aoife Dooley’s new book is “an astutely observed, funny and at times touching comic of social history”, writes Sophia Vigne Welsh.
This print was inspired by Lewis Carroll’s “Alice’s Adventures in Wonderland”, the artist says. This is just a detail, click through to see the full image.
Ellen Aveiro used to be a prison administrator in Paranagua, in southern Brazil. These days, she runs a community centre on Dorset Street.
The artists hope people will “be confused, but still willing to engage with our work – question it, reframe it, love it, be irritated by it”. This is just a detail – click through to see the full image.
Last year, Ian and Louise Ó Maonaigh cobbled together an orchestra for a charity performance. And then they did another one. The next is in December.
It took the Irish Museum of Modern Art two years to gather all the Lucian Freud works currently on display in a special exhibition, which include female nudes, but no male nudes.
A painter with a photorealistic style, Matthews “was drawn to the curve of Harcourt Street. As you walk along the street the end is hidden … ” His work is on display at the Molesworth Gallery until 30 November.
