What would become of the Civic Offices on Wood Quay if the council relocates?
After The Currency reported the idea of the council moving its HQ, councillors were talking about and thinking through the pros and cons and implications.
“I love when people post their work on Instagram afterwards, and it doesn’t matter if it’s really crappy, I just love it,” says organiser Scarlett Nymph.
The Leaving Cert art curriculum fails to prepare students for the art world, says Jennie Guy. Through her programme Art School, she’s pushing for it to improve.
The Outlandish Theatre Platform works to bring area’s diverse residents together.
In “Uncertain Arrival”, artist Stephen Shaw aims to show the city streets through the lens of a disoriented stranger.
Fáilte Ireland has agreed to transfer 33 Synge Street to Dublin City Council. Now it’s time to brainstorm ideas for how the council could use the building.
This documentary weaves together candid footage and interviews to build up a story of the regeneration, exploring what was lost as the towers came down.
“Every time I expected the film to threaten its characters with danger of violence, I was pleasantly surprised to see gentleness and warmth instead,” writes Luke Maxwell.
At weekends, Andrew Heney and Michael Murphy string up ropes and practice walking them above the city’s canals and parks. Murphy has his eye on the Poolbeg towers.
Through his open-mic night, David Halpin is trying to provide a route for performers from their bedrooms to big stages.
“It’s all about slowing down the pace,” says Caroline Orr, a curator at the gallery.
Featuring five artists, “Still Life: Honouring the Dead” aims to challenge preconceptions about life and death, waste, and our relationship with animals.
Some businesses say displaying art is a way to help their artist friends sell commission-free canvases. For others, it’s a free way to decorate a room or two.