What would become of the Civic Offices on Wood Quay if the council relocates?
After The Currency reported the idea of the council moving its HQ, councillors were talking about and thinking through the pros and cons and implications.
The publisher of a book that wins a Costa Book Award category must pay £4,000, and if it wins book of the year too, that’s a further £5,000.
Aoife Kelleher’s documentary about the village of Knock, is “simply put, a magnificent achievement”, writes Luke Maxwell.
In her art, Deirdre Ronan reflects on the nature of relationships and her work with both the families of offenders and victims of child sexual abuse.
In the latest in his Dublin local history series, Maurice Curtis tries to uncover the many layers of Temple Bar.
In this short film set in Dublin, Jijo S. Palatty offers a critique of segregation and its drivers, and an exploration of what he sees as the conflict between pluralism and liberalism.
In this photo from a series, fine artist Eamonn Farrell aims to explore our relationship with the natural world and the man-made institutions around us.
Yemi Azamosa set up the Fried Plantains Collective to make sure there are events in Dublin put on by Black women, and LGBTQ Black women, to talk about things that affect Black people’s lives.
With this work, the artist wants to make the reader to feel uncomfortable. “Hopefully the audience will fill in the reasons why I made it so raw and brash,” he says.
Selected as the Irish entry for the 88th Academy Awards, Paddy Breathnach’s film explores familial relationships, sexuality and machismo in Havana, Cuba.
As a creative entomologist, Nessa Darcy wants to spread her love of insects through art.
Projects should “add to the distinctiveness of the area, whether to do with its past history, or with emerging and prominent future”.
Winner of the Penny Dreadful Novella Prize in 2016, and published by Dreadful Press, this novella unfolds at a frenetic pace and is teeming with ideas.