Vacancy Watch: a big site near Fatima Luas stop
Even as the government casts around for new land to zone for homes, it is unclear when this plot will be built out.
“I was taken in by the film’s earnestness and taken aback by its forcefulness,” writes Luke Maxwell. “This is an Irish film that deserves to be seen the world over.”
Aoife Kelleher’s documentary about the village of Knock, is “simply put, a magnificent achievement”, writes Luke Maxwell.
In this short film set in Dublin, Jijo S. Palatty offers a critique of segregation and its drivers, and an exploration of what he sees as the conflict between pluralism and liberalism.
Selected as the Irish entry for the 88th Academy Awards, Paddy Breathnach’s film explores familial relationships, sexuality and machismo in Havana, Cuba.
The ex-Love/Hate actor talks about his new film, set in Darndale, which again looks deep into gangland – but this time at street level.
“For me, cinema is the gateway to the rich and detailed view of the world that those more fortunate than myself experience every day,” writes Luke Maxwell.
A recent event at the IFI looked at the gender imbalance in the Irish film industry, something the Irish Film Board says it will work hard to address over the next three years.
In this low-budget earnest variation on the magic hobo picture, director Gerard Walsh creates a touching film with a powerful finale.
Should we welcome “Once” director John Carney’s new film “Sing Street” with swaying arms and clicking fingers or turn a deaf ear?
The story of Stanley Milgram, the man behind one of the most famous psychological studies of the twentieth century, comes to the Irish screen.
In testimonies from the time, soldiers reveal a prescient understanding of how Israel’s Six-Day War complicated the country’s hopes for peaceful existence.
Sé Merry Doyle’s intimate film is a plea by Simon Walker to preserve modernist structures in Dublin designed by his father, architect Robin Walker.