As the government blocks funding for major social-housing projects, FF and FG councillors point fingers at ministers
As many as 1,325 social homes in Dublin city are at an advanced stage, with planning granted – but now with no clear funding.
“Why shouldn’t we be able to bring a story about romance, dramas, thrillers? Why does it always have to be violence?”
This Irish-language drama, the heartbreaking story of one man’s isolation and desolation in rural Ireland, is Ireland’s submission for Best International Feature Film to the 94th Academy Awards.
In this new film, six men speak from experience about a system that funnelled the youth of Fatima Mansions from school to industrial schools and then to prison.
This noir-tinged thriller “is messy but some uneven performances … fade into the background” because it “gets so many other elements right”.
This documentary following a choreographer and his dancers as they create a performance revels in “The joy of seeing bodies in motion and the wonder of witnessing creation take hold”.
This new film with “mumblecore energy” is “ambiently amusing … raw, witty, but rarely gut busting”.
“There’s a beating heart somewhere beneath the metallic surface” of this film, “but it’s hard to hear over the same old cyberpunk beeps and boops we’ve been hearing for 40 years”.
This new documentary chronicles Damien Dempsey’s Christmas concert at Vicar Street in 2019, and the lives of three of the fans who were there.
In this new film, “The action is so zany that it feels like the film reel might unspool and burn up at any second.”
Neither of this film’s “core elements, the horror or the comedy, is handled well. It’s not scary or all that funny,” writes our reviewer.
Intimate and distressing, this film sees a young woman search for identity. Her quest reopens the wounds of the past and brings danger to her doorstep.
A violinist swaps New York for Carlingford in a romance that “has a lot going on, but not a lot of it original”.