In Dublin 15, councillors want to name a park for a local cycling legend
They agreed a motion, recently, to ask Fingal’s naming committee to honour Bertie Donnelly.
“In Waiting” is “a classic Irish guitar music debut, a proud affirmation of queerness, the power and the peril of organised religion, and a love letter to Dublin”.
Vinny Casey, venue manager at The Workman’s Club, said that it’s like the government doesn’t see music venues as something they have to deal with.
Biosphere also aims to start a conversation on the climate crisis, and make the music industry more conscious about its own impact on the environment.
“Perhaps the most interesting thing about the ‘Who’s Asking’ remixes is that they assert the idea of sub-scenes within the Irish rap lexicon.”
“Garrett’s voice is an interesting instrument. For sure he’s a smooth performer, but his singing conveys an unusual and expressive tension.”
Up De Flats is the first full EP by Gemma Dunleavy and is a love letter to the tight-knit community of Sheriff Street in the north inner-city.
“Irish music has been at the forefront of communicating the black Irish experience.”
What links both releases is that they are statements from two young virtuosos determined to show and prove; turn up and throw down, writes Dean Van Nguyen.
“Support Irish musicians in whatever way you can, whether it’s buying their vinyl online, paying for their digital downloads via Bandcamp, or taking part in whatever ventures they’re working on at home to help us get through the crisis.”
A group of DJs has begun streaming the club experience – or something akin to it at least – each Friday night into the homes of whoever looks in.
Not everyone has a park nearby, but Caimin Gilmore says he’d encourage anyone who can play an instrument to consider performing a socially distant concert for their neighbours.
Elsewhere, the relationship between producer and rapper is as celebrated as the link between a cinema auteur and their acting muse. It’s coming to the fore in Ireland, too.