Maybe people shouldn't be able to collect social welfare at GPO, Arnotts lobbies
The company behind the Henry Street department store raised the idea with the man in charge of the regeneration of the city centre, returns show.
This film about the renowned Dublin-born architect offers great insights into his philosophical approach, but few into his inner self, writes Luke Maxwell.
This new film is “an impressive feature debut, well-observed, earnest in its execution and filled with humanity”, writes reviewer Luke Maxwell.
An unlikely and at times harrowing love story, “Maudie” presents the life and times of Canadian folk-art institution Maud Lewis. It’s a film that looks for the little sparks of light in the dark.
“The Farthest”, a new documentary, is the moving story of NASA’s Voyager mission. It is “hard science on the outside but gooey on the inside”, writes Luke Maxwell.
This Sligo-set film is a little rough around the edges, but it excels as a feel-good picture with its heart in the right place, writes reviewer Luke Maxwell.
Zoe Kavanagh’s lo-fi, high-concept horror-action debut “Demon Hunter” is a bona fide B-picture that makes a lot out of a little.
This feature-length sitcom from the director of “The Stag” takes a semi-autobiographical look at adolescent male friendship, boarding school and family.
In Liam Gavin’s first feature film, dark forces and ritual misery give way to something truly affirming, writes Luke Maxwell.
This film “shows the quiet malice of standing by and letting people slip through the cracks of society”, writes Luke Maxwell.
“Every time I expected the film to threaten its characters with danger of violence, I was pleasantly surprised to see gentleness and warmth instead,” writes Luke Maxwell.
Death comes to small-town America when a series of unusual and gruesome murders occur in this shoestring thriller that’s got “cult” written all over it.
This is not so much a rags-to-riches story as it is a rags-to-further-rags-and-then-contentment kind of story, writes Luke Maxwell. “I wasn’t born with a silver spoon up my ass,” Tommy Byrne explains.