Concerns about continuity of care as Tusla changes 3,000 children’s social workers
“If you read any research with care-experienced voices – every piece of research talks about the importance of continuity of care.”
This Sligo-set film is a little rough around the edges, but it excels as a feel-good picture with its heart in the right place, writes reviewer Luke Maxwell.
Zoe Kavanagh’s lo-fi, high-concept horror-action debut “Demon Hunter” is a bona fide B-picture that makes a lot out of a little.
This feature-length sitcom from the director of “The Stag” takes a semi-autobiographical look at adolescent male friendship, boarding school and family.
In Liam Gavin’s first feature film, dark forces and ritual misery give way to something truly affirming, writes Luke Maxwell.
This film “shows the quiet malice of standing by and letting people slip through the cracks of society”, writes Luke Maxwell.
“Every time I expected the film to threaten its characters with danger of violence, I was pleasantly surprised to see gentleness and warmth instead,” writes Luke Maxwell.
Death comes to small-town America when a series of unusual and gruesome murders occur in this shoestring thriller that’s got “cult” written all over it.
This is not so much a rags-to-riches story as it is a rags-to-further-rags-and-then-contentment kind of story, writes Luke Maxwell. “I wasn’t born with a silver spoon up my ass,” Tommy Byrne explains.
A documentary follows the unlikely rise of a Dublin-based mattress salesmen in this surprisingly low-key documentary about the men behind the social-media phenomenon Mattress Mick.
Luke Maxwell tries to pin down why “The Young Offenders” made him laugh more than any other film this year.
“I was taken in by the film’s earnestness and taken aback by its forcefulness,” writes Luke Maxwell. “This is an Irish film that deserves to be seen the world over.”
Aoife Kelleher’s documentary about the village of Knock, is “simply put, a magnificent achievement”, writes Luke Maxwell.