“I wouldn't necessarily say we're looking at a looming full automation, but a really, really drastic shakeup is definitely on the horizon,” says Jen Wayne of the Animation Workers of Ireland.
The last few weeks, beneath the statue of Father Mathew, behind the Spire, groups of capoeristas have been practising their Brazillian martial art and game.
Junior Brother recorded one of his early low-fi records in his kitchen in Kerry. A couple of years and many gigs later, he talks to Martin Cook about his evolution as an experimental folk singer.
Ronan Kealy, known to fans as Junior Brother, took his stage name from a play by Thomas Middleton called The Revenger’s Tragedy. It suited the time period his songs are drawn from, he says. “But it’s also quite mad and experimental.”
The folk singer brings together acoustic guitar and a rhythmic foot tambourine. He sings in his Kerry accent, thanks to the influence of his uncle, who said he should have a listen to Damien Dempsey, who sings in his own Dublin voice, and made Kealy realise that “I can just sing in my own accent and it’s grand.”
Kealy was in Dublin recently to perform some of his songs at Marrowbone Books in The Coombe, including the popular “Hungover at Mass” and “No Snitch”. Before the gig, he talked to Martin Cook about all this and more. Have a listen.
Martin's substantive career was in civil engineering, specialising in the field of traffic and transportation. Currently, he is attached to Dublin City FM, and works as a freelance broadcast journalis
“It’s an indulgent thing, a fry-up, rammed into a luxury baguette. It felt like such a symbol of contemporary Ireland, and the perfect identity for the project.”