Vacancy Watch: a big site near Fatima Luas stop
Even as the government casts around for new land to zone for homes, it is unclear when this plot will be built out.
“I wanted this cover illustration to showcase how creating comics can provide a lot of comfort and is a great way to process your emotions.”
Analysing feminism, women’s work and post-colonialism, April Gertler’s hybrid lecture and performance “Take the Cake” assigns cakes to countries.
Artist Evelyn Broderick, who set it up, says she’s hoping people will come in, sit down for a cuppa, and maybe chat about exchanging skills with her and others.
“We don’t want to be ‘Dublin is shit, everything is bad and hard,’” says co-founder Aiesha Wong.
In his new work The Drift///Parallax, artist Brian Teeling focuses on the presence of absence, the absence of presence – and the Phibsboro Shopping Centre.
Instead of pursuing careful perfection alone, they try to loosen up and collaborate on wacky, silly, off-the-cuff works. And now, they have a base.
Although it’s only nine years old, since so many former street-art hotspots have been lost to new development, it’s one of the oldest street murals in the city.
These were some of the issues that Dublin city councillors discussed at a recent meeting of their North West Area Committee.
It’s nothing to do with Marvel’s Spider-Man, says artist Kathleen O’Brien. Its meaning is rooted in the history of its north inner-city neighbourhood.
Not everybody is in a position to resume normality, artist Aine O’Hara says, and with “Sick Cards”, she hopes those overlooked have a chance to be seen.
“Can I really translate the essence of my humanity and my being into a digital version of myself?” Aisling Phelan asks.
The new version of their project, now called “Tender”, involves distributing postcards that people can send to the gallery to share their views on the situation.