Why has some of the greenery in city planters been left to wither?
The council hasn’t been able to find a contractor willing to take on the job of looking after these plants, a council official says.
Meanwhile, the council’s North West Area is set to get just 4.4 percent of these development levies.
Tony Strickland has put together a new show at Gallery X on Hume Street.
Carl Hickey lurks with a camera, recording images he’ll later commit to canvas: men with traffic cones on their heads, Spiderman brawling, a khaki-clad crowd.
With marker pen and pad, Nadine Maguire searches out the properties that spark a thought in her, a mental image of how they could look if done up.
The monthly workshops for working and aspiring performance artists are like guided meditations, encouraging people to express themselves physically.
Many arts-sector jobs are freelance gigs, and immigrants can’t get work permits and permission to stay in the country based on them.
“I wanted this cover illustration to showcase how creating comics can provide a lot of comfort and is a great way to process your emotions.”
Analysing feminism, women’s work and post-colonialism, April Gertler’s hybrid lecture and performance “Take the Cake” assigns cakes to countries.
Artist Evelyn Broderick, who set it up, says she’s hoping people will come in, sit down for a cuppa, and maybe chat about exchanging skills with her and others.
“We don’t want to be ‘Dublin is shit, everything is bad and hard,’” says co-founder Aiesha Wong.
In his new work The Drift///Parallax, artist Brian Teeling focuses on the presence of absence, the absence of presence – and the Phibsboro Shopping Centre.
Instead of pursuing careful perfection alone, they try to loosen up and collaborate on wacky, silly, off-the-cuff works. And now, they have a base.