Tusla says it's an offence to run an unregistered children’s home, but it places children in them anyways
So how does it square the circle?
The Digital Hub has applied for planning permission to convert the old brick windmill into a gallery and conference room.
“People don’t know how unusual our laneways are, to have them still and how different they are from the public areas,” says Emer O’Siochru.
“I didn’t really know much about the culture,” says Sanaa El Habbash, whose parents were born in Gaza and moved to Ireland 34 years ago.
Trevor Woods makes mixed media collages, melding pop culture references with computer paraphernalia such as floppy disks and keyboards.
“Sorry that was the postman with more Lego pieces,” says Gianni Clifford.
“We have music, dance and poetry, a little play,” says Marcela Parducci, project manager with the festival. “We have even a drag queen.”
During the early days of the pandemic, artist Eoin Mac Lochlainn began to meditate on the growing relevance of expression through the eyes, as mask-wearing spread.
“Graffiti is a free-flowing creative output that can exist outside of cultural institutions like art galleries,” says Neil Dunne.
The theme of the exhibition is that no matter what is going on, if you have enough agency, or personal conviction, you still have control over your situation, she says.
Over the next few weeks, the participants will walk around Tallaght taking note of anything that catches their eye from shop fronts to cars and place names.
All I Believe Happened There Was Vision explores the concept of a modern-day Irish Otherworld, where data centres and financial institutions are sites of reverence.
Artist Andrew Carson is using DNA from casual sexual encounters to make a music for a new exhibition.