New film documents Dubliners’ resistance to subordination of social life to profit
“The market is a monster,” says filmmaker James Redmond. “It turns living spaces into dead space.”
“The Irish government has tasked five immigrants with saving a country in ruins, this show is the result,” the show’s synopsis says.
For Nghai Mai, what matters most is letting his audience know there’s more to Vietnam than American vets getting “flashbacks of Nam” in Hollywood films.
Comedy writers tend to write alone in Ireland, says Erin McGathy. She’s hoping to change that.
Split into four vignettes, the play “The Assassination of Pope Urban II” tackles religion, death, decay, and disability.