Whatever is decided, Dublin City Council doesn’t plan to cover the costs. Instead, it wants a private operator to come in and deliver a facility or activity.
This month’s cover is inspired by the new Luas Cross City line, imagining future public transport services in Dublin and how I feel about commuting as a cyclist today – anxious!
This cover is Cyan Ryan’s homage to the passing of the seasons, and the welcoming of the winter time. Ryan is a 24-year-old designer who works in a variety of areas, from illustration to motion design. He has a strong interest in colour and shapes and using these elements to depict moods. You can re
This month’s cover is “Night Chips” by Ruan van Vliet, featuring a leprechaun busker-guy taking a break from his arduous duties to indulge in his hard-earned, greasy “pot o’gold”. Synthesizing aesthetics of counter-cultural comics, children’s TV and shambolic/naive/folk artworks is Ruan’s thing. Th
This month’s cover is “Seagull Attack” by Ania Bartoszek. Ania is a Dublin-based graphic designer and illustrator with a deep love for anything printed. She is passionate about colour, composition, typography and lettering, and her inspirations include Polish cinema and Japanese packaging design. Ha
Conor Nolan is an illustrator, designer and printmaker from Dublin. His work uses expressive and energetic brushstrokes, and a layering of colours inspired by the aesthetics of screen printing to create his vibrant imagery. His cover image was influenced by the varied appearance of Dublin’s differen
This month’s cover is by Karen Vaughan, an illustrator and designer with a love for pen and ink. Her style is decorative and detailed, and inspired by her love of old folk tales, intricate patterns and nature. You can see more of her work at kvaughan.com or at instagram.com/karenvaughan.
Dublin is slowly waking up, Yawns in the smoke, Snakes in and out, Vanishes in yellow buses. –Sacha Strange Instagram sacha.strange_ sachanstrange@gmail.com cargocollective.com/sachastrange
Hi I’m Lou. My illustration for this month’s cover, “Hinge”, is concerned with the issue of homelessness in Dublin, and the increasing number of people losing their homes today. The number of people whose future well-being hinges on the control and decisions of others is absurd. Something needs chan
This illustration is about Christmas office parties, and the inherent madness of combining work colleagues and a free bar. As a freelancer, I’ve been spared the dreaded Christmas party for a couple of years, but I do have memories of making awful small talk over cremated spring rolls. The wine is wa
