After The Currency reported the idea of the council moving its HQ, councillors were talking about and thinking through the pros and cons and implications.
Over the last week or so, James Kirwan has stashed paintings along Dublin’s streets as gifts to strangers. “This is my project to cheer people up,” he says.
“The Ireland that was promised to these young men is not the one that they have found themselves in. This book tells the tale of aging men in a youthful nation state.”
For Adam Hutchinson, who features, the film was a chance to reply to those who assume horses in the inner city aren’t well looked after. “But that is not the case,” he says.
Ailbhe Reddy’s “Personal History” and Kean Kavanagh’s “Dog Person” are two debut albums with vastly different perspectives on coming-of-age in the city.
An unfulfilled family man finds some solace in the company of a male prostitute in the new feature film from director Peter Mackie Burns and writer Mark O’Halloran.
During the early days of the pandemic, artist Eoin Mac Lochlainn began to meditate on the growing relevance of expression through the eyes, as mask-wearing spread.
