Luke: In new anti-Christmas comedy, father goes on one-man crusade against most commercial time of year
Here we are in early July, and "Murphy Vs Christmas" is set to premiere at the Galway Film Fleadh, followed by a wide release.
Artists Fiona Dowling and George Higgs are working with different South Dublin groups to write songs that capture the rhythms of their modern workplaces.
Residents across the north-east inner city have seen a few new murals lately, with more to come: €80,000 has been set aside by Dublin City Council.
An old windmill has dominated the landscape in the Liberties for decades. But what happened to its sails?
“When you have regulation of the entertainment industry from 1935 it’s definitely outdated,” says Constantin Gurdgiev. “The social conditions which might have warranted the regulation no longer exist,” he says.
This new film dramatises Charles Dickens’s writing of A Christmas Carol in a style that’s “silly and sincere all at once”, writes Luke Maxwell. In it, Dublin does a fine job as a stand in for 1840s London.
Archbishop of Dublin John Charles McQuaid tried to stamp out what he saw as the indulgences associated with Inchicore’s own Lourdes grotto. But that didn’t stop the crowds.
Many of the 15 works in “In Public, In Particular” touch on issues of gentrification and the erosion of working-class ways of life. The exhibition is on this Thursday and Friday.
You might have noticed the large arches disappear from a corner of St Stephen’s Green.
“We’re not taking our lead from the church, we’re taking it from advertising. So the secular icons show that,” says artist Paul Mac Cormaic.
With extra funding, those who run the Hugh Lane Gallery hope to bring in blockbuster works and grow its visitor numbers.
“You may learn more from the rubbish than you do from the good songs,” says Tony Bardon, who started the collective several years ago.
The film-makers have crafted an “intriguing knot out of their shoestring budget”, which brings the audience “uncomfortably close to these desperate characters, but we want to be there”, writes Luke Maxwell.