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Selected as the Irish entry for the 88th Academy Awards, Paddy Breathnach’s film explores familial relationships, sexuality and machismo in Havana, Cuba.
The ex-Love/Hate actor talks about his new film, set in Darndale, which again looks deep into gangland – but this time at street level.
“For me, cinema is the gateway to the rich and detailed view of the world that those more fortunate than myself experience every day,” writes Luke Maxwell.
A recent event at the IFI looked at the gender imbalance in the Irish film industry, something the Irish Film Board says it will work hard to address over the next three years.
In this low-budget earnest variation on the magic hobo picture, director Gerard Walsh creates a touching film with a powerful finale.
Should we welcome “Once” director John Carney’s new film “Sing Street” with swaying arms and clicking fingers or turn a deaf ear?
The story of Stanley Milgram, the man behind one of the most famous psychological studies of the twentieth century, comes to the Irish screen.
In testimonies from the time, soldiers reveal a prescient understanding of how Israel’s Six-Day War complicated the country’s hopes for peaceful existence.
Sé Merry Doyle’s intimate film is a plea by Simon Walker to preserve modernist structures in Dublin designed by his father, architect Robin Walker.
On international Wrongful Conviction Day, the Irish Innocence Project is screening “In Doubt: the Mark Marku Case” at Griffith College.
Oh no! What if PAEDOPHILES invaded your STARTER HOME to VIOLATE YOUR CHILDREN’S INNOCENCE and PEE ON YOUR BRAND NEW CARPETS?
Open Night Cinema isn’t like Jurassic World at the Omniplex. There are 360-degree screens, actors and people playing projectors like DJs play turntables.