Council launches public consultation on how to develop George’s Dock
Whatever is decided, Dublin City Council doesn’t plan to cover the costs. Instead, it wants a private operator to come in and deliver a facility or activity.
Death comes to small-town America when a series of unusual and gruesome murders occur in this shoestring thriller that’s got “cult” written all over it.
This is not so much a rags-to-riches story as it is a rags-to-further-rags-and-then-contentment kind of story, writes Luke Maxwell. “I wasn’t born with a silver spoon up my ass,” Tommy Byrne explains.
A documentary follows the unlikely rise of a Dublin-based mattress salesmen in this surprisingly low-key documentary about the men behind the social-media phenomenon Mattress Mick.
Luke Maxwell tries to pin down why “The Young Offenders” made him laugh more than any other film this year.
“I was taken in by the film’s earnestness and taken aback by its forcefulness,” writes Luke Maxwell. “This is an Irish film that deserves to be seen the world over.”
Aoife Kelleher’s documentary about the village of Knock, is “simply put, a magnificent achievement”, writes Luke Maxwell.
Selected as the Irish entry for the 88th Academy Awards, Paddy Breathnach’s film explores familial relationships, sexuality and machismo in Havana, Cuba.
“For me, cinema is the gateway to the rich and detailed view of the world that those more fortunate than myself experience every day,” writes Luke Maxwell.
A recent event at the IFI looked at the gender imbalance in the Irish film industry, something the Irish Film Board says it will work hard to address over the next three years.
In this low-budget earnest variation on the magic hobo picture, director Gerard Walsh creates a touching film with a powerful finale.
Should we welcome “Once” director John Carney’s new film “Sing Street” with swaying arms and clicking fingers or turn a deaf ear?