The latest in our series on works by contemporary Dublin artists features a sculpture informed by the artist’s work as an occupational therapist. It’s on display at the Science Gallery.
Primitive Reflex
By Grainne Tynan
Thermoplastic splinting material, steel, ink, wood, electric splinting bath, table and water
700mm x 700mm x 1700mm
1. This work is about . . . the place of shared myths in today’s world, exploring boundaries between superstitious and scientific thought. Primitive Reflex investigates the human desire to heal another’s trauma and places this in direct relationship with shamanic tribal rituals.
2. I made this work because . . . I wanted to explore my experience of working as an occupational therapist with people who have suffered a trauma to the central nervous system, resulting in the return of their infantile (or primitive) reflexes.
3. I hope when people see this work they will . . . enter into a discussion about the principles and materials used by healthcare professionals, empowering them to question approaches used in the recovery from trauma.
4. In terms of art history, this work . . . references primitive art through the use of tribal motifs in the anatomical drawings.
5. You can see my work . . . in the Trauma exhibition in Science Gallery at Trinty College Dublin, which runs until 21 Feb 2016. My website is grainnetynan.com.
Curios [sic] About is a series featuring works by Dublin artists, curated for us by our friends at the Square in the Circle blog, and hosted there as well as here.
Each artist is asked to submit an image of one work and answer a set of questions about it. We’d love it if you’d submit something you’ve made.
“Pitched as ‘avante hyperpop’, her music can sound like what Mariah Carey might cook up if she spent more hours hanging out in video arcades and reading radical literature.”
Filmmaker Sarah Share’s “The Graceless Age: The Ballad of John Murry” tells the story of the Mississippi-born musician, who is now living in Ireland.
“The work isn't fully satisfying. There's a kind of contingent element, or an element that you know is only going to exist in a certain way at a certain time.”
The government should tell communities directly about plans for new asylum shelters, some activists and politicians say.
