Three quarters of the children placed in residential care in Ireland live in commercial accommodation. Investors have entered this growing industry, where inspections of the largest owners’ children’s homes show a mixed record.
“I took this photo … after the first real burst of summer and just around that time some of us were maybe looking forward to a few more slightly cooler days.”
I took this photo on the evening of 7 June after the first real burst of summer and just around that time when some of us were maybe looking forward to a few more slightly cooler days again.
I was just about to turn onto Fontenoy Street when the near-silhouette of two kids in their hammocks caught my eye and I decided to go ahead and at least try to shoot the scene with my phone, despite the head-on glare of the sun.
Reviewing later, the shots were predictably over-exposed, but nonetheless I fired up the photo-editor to see if I could at least manipulate an approximation of what my eyes really experienced at that moment.
I am a Dublin-based sculptor, photographer, composer and interaction designer. I create artefacts from moments captured as drawing, text, music, video, sound and object. I am motivated by the interpretations these artefacts can provoke, while at the same time presenting them simply as rewritten moments from my daily ritual and experience at home, at work – or just passing through from one place to the next.
I am currently preparing for a collaborative exhibition with the artist Noel Hensey at Ardgillan Gallery in October and my conceptual video, photographic and audio works can be experienced at www.wildernish.com.
The inspiration? "I was like, Oh my God, what's happening with my life?” says founder Sarah Ó Tuama. “Like, is this what being an adult is? It's so boring.”
Hopefully it’ll create something like a musical bridge between Ireland and Japan in some way, says Emmy Shigeta, whose lyrics are sung almost entirely in Japanese.