It has issued a tender for a feasibility study. The documents include few details, but they do confirm the likely future uses for the historic building.
This cover is inspired by that popular city summertime activity drinking cans at the canal, and it also highlights the very bad craic that some people still take part in – throwing their rubbish into the canal when they’re finished.
M y name is Sarah Bowie and I’m a watcher. Nobody on Dublin Bus is safe from me and my prying eyes. Great thing is, most people are on their phones ALL the time, so they don’t notice me gawping. It’s magic.
This month’s cover is inspired by the new Luas Cross City line, imagining future public transport services in Dublin and how I feel about commuting as a cyclist today – anxious!
This cover is Cyan Ryan’s homage to the passing of the seasons, and the welcoming of the winter time. Ryan is a 24-year-old designer who works in a variety of areas, from illustration to motion design. He has a strong interest in colour and shapes and using these elements to depict moods. You can re
This month’s cover is “Night Chips” by Ruan van Vliet, featuring a leprechaun busker-guy taking a break from his arduous duties to indulge in his hard-earned, greasy “pot o’gold”. Synthesizing aesthetics of counter-cultural comics, children’s TV and shambolic/naive/folk artworks is Ruan’s thing. Th
This month’s cover is “Seagull Attack” by Ania Bartoszek. Ania is a Dublin-based graphic designer and illustrator with a deep love for anything printed. She is passionate about colour, composition, typography and lettering, and her inspirations include Polish cinema and Japanese packaging design. Ha
Conor Nolan is an illustrator, designer and printmaker from Dublin. His work uses expressive and energetic brushstrokes, and a layering of colours inspired by the aesthetics of screen printing to create his vibrant imagery. His cover image was influenced by the varied appearance of Dublin’s differen
