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“We just want to bring everyone together,” says Tadhg Kinsella, who founded the collective, which has so far put on about ten events.
This new documentary chronicles Damien Dempsey’s Christmas concert at Vicar Street in 2019, and the lives of three of the fans who were there.
“Did your granda write poems?” and “Did your granny write stories?” the project is asking.
“It’s a savagely loud and airtight set of post-punk songs, the most exciting release from an Irish guitar band I’ve heard in a while.”
Three artists are using corners of the gallery as their studios, creating works that will be on show there when the exhibition From Here to There opens later this month.
In this new film, “The action is so zany that it feels like the film reel might unspool and burn up at any second.”
“My whole thing is to make wild weeds and plants, that most people disregard, precious,” says Yanny Petters.
Neither of this film’s “core elements, the horror or the comedy, is handled well. It’s not scary or all that funny,” writes our reviewer.
“So much fiction is made up of these neatly tied-up, often moralistic stories, but good non-fiction begins with no set agenda,” says co-editor Seán Hayes.
Intimate and distressing, this film sees a young woman search for identity. Her quest reopens the wounds of the past and brings danger to her doorstep.
Playwright Geoff Power’s “Stronger”, due to premiere at the Dublin Theatre Festival, dramatises an effort at “restorative justice”.
“Changing the Sheets”, written by and co-starring Harry Butler, along with Máiréad Tyers, is part of this year’s Dublin Fringe Festival.