A spokesperson for the board said it redacted accounts that weren’t “evidence-based” and had not tried to “hide or trivialise the scale of any crisis”.
The pandemic nixed their traditional end-of-studies exhibitions, so a group of artists set up their own show, the Crux Project, in the wilds of south Dublin.
For Nghai Mai, what matters most is letting his audience know there’s more to Vietnam than American vets getting “flashbacks of Nam” in Hollywood films.
“In this dream world, Dulu wanders soundscapes that feel endless in every direction, each song resembling fragments of different half-remembered hallucinations.”
In this new book, animal exploitation is used as a lens to reflect the changing social, cultural and ideological fabric of the city of Dublin as it moved towards a new model of urban civilisation in the nineteenth century.
The jumping-off point for the exhibition is the way that living life on Zoom and other virtual platforms leaves people “with a false sense of community”, says Aoife Banks, one of the artists.
