“So the council is allowing horses in Dublin City,” says horse owner David Mulraney. “But they’re not allowing them to put their horse manure anywhere.”
Since June, there’s been a shift in how the Department of Justice has ruled on these applications – more rejections, says immigration solicitor Imran Khurshid.
Ailbhe Reddy’s “Personal History” and Kean Kavanagh’s “Dog Person” are two debut albums with vastly different perspectives on coming-of-age in the city.
An unfulfilled family man finds some solace in the company of a male prostitute in the new feature film from director Peter Mackie Burns and writer Mark O’Halloran.
During the early days of the pandemic, artist Eoin Mac Lochlainn began to meditate on the growing relevance of expression through the eyes, as mask-wearing spread.
In Kathryn Milligan’s “Painting Dublin”, the artists are from different backgrounds, religions, and social classes. “What connects them is that they are painting the same city.”
“The Language I Cannot Speak” is a performance of stories and poems that draws on Zimbabwean folklore and family tales to explore identity and culture.
Director Daniel F. Holmes follows Irish footballers at the Homeless World Cup, showing how sport can give a sense of purpose to those who’ve suffered hardship and misfortune.
“In Waiting” is “a classic Irish guitar music debut, a proud affirmation of queerness, the power and the peril of organised religion, and a love letter to Dublin”.
“What We Don’t Talk About is an essential read. It tackles nuanced racial moments that give context to the wider topics we’re all trying to take head on.”
