Greater use of red-light cameras on Dublin roads inches closer
On Monday, the National Transport Authority published a tender looking for someone to help it plan and oversee the roll-out of red-light and speed cameras.
“The Language I Cannot Speak” is a performance of stories and poems that draws on Zimbabwean folklore and family tales to explore identity and culture.
Director Daniel F. Holmes follows Irish footballers at the Homeless World Cup, showing how sport can give a sense of purpose to those who’ve suffered hardship and misfortune.
“In Waiting” is “a classic Irish guitar music debut, a proud affirmation of queerness, the power and the peril of organised religion, and a love letter to Dublin”.
“What We Don’t Talk About is an essential read. It tackles nuanced racial moments that give context to the wider topics we’re all trying to take head on.”
“Graffiti is a free-flowing creative output that can exist outside of cultural institutions like art galleries,” says Neil Dunne.
The Lifeline podcast hopes to bring attention to the breadth of biodiversity along the historic Royal Canal.
The theme of the exhibition is that no matter what is going on, if you have enough agency, or personal conviction, you still have control over your situation, she says.
“For me, the double act managed to win me over, I believed in the cousins and rooted for them because they believed in one another,” writes Luke Maxwell.
“They have brought us to where we are today, especially for younger feminists and younger activists,” says director Emma O’Grady.
This anthology of poetry by working-class people from contemporary Ireland has many good points, but is unfortunately short of the voices of migrants, our reviewer writes.
The collection is made of poetry and romance. It’s one of those special books that awakens the imagination and rekindles the flame of stories once heard as a child.
Traveller stories and histories have been recorded before but it’s mainly been done by people outside of this community, Oein DeBhairduin says.