What would become of the Civic Offices on Wood Quay if the council relocates?
After The Currency reported the idea of the council moving its HQ, councillors were talking about and thinking through the pros and cons and implications.
Roddy Doyle’s latest novel has the pitch-perfect dialogue and quiet moments of genius that mark his other works. However, it stumbles, and ultimately collapses, writes Sean Farrell.
“I became more interested about drugs and how they affect society rather than just making it all about going out on a Saturday night and getting ratted,” says Lewis Kenny. That transformation is the narrative arc of his debut play ObSession.
This new film is “an impressive feature debut, well-observed, earnest in its execution and filled with humanity”, writes reviewer Luke Maxwell.
The Cock and Pussy Manifesto, which includes equal numbers of artworks devoted to female genitalia and male genitalia, runs until 23 September at Gallery X.
Many of the themes Elske Rahill tackled in her debut novel Between Dog and Wolf – relationships, fertility, sexuality, motherhood – are once again present in her new short-story collection In White Ink, writes Jan Carson.
After a decade running record label and concert promoter Ergodos from wherever they could, the pair have settled into a more permanent home.
An exhibition later this month examines the Eblana theatre’s importance and the much-contested but visionary scheme of Busáras itself.
A crop of queer cabaret nights offer a new guard of performers, eager to embrace eccentricities.
The campaigner has been quietly working away for some months on a one-man show centred around his experiences as a witness to massive social upheaval in Ireland.
The heroic warrior Oisín tossed a boulder to the top of a mountain. Now artist Ciarán Taylor wants people to join him in carrying a new boulder up there, one small stone at a time.
“If we sit in the shadows no one will see us. This is the point of the exhibition,” says Priya.
An unlikely and at times harrowing love story, “Maudie” presents the life and times of Canadian folk-art institution Maud Lewis. It’s a film that looks for the little sparks of light in the dark.