From a Dublin base, an anti-caste influencer grows a global audience
In less than two years, Amit Wasnik has attracted tens of thousands of online followers with his posts focused on the life and ideas of BR Ambedkar.
This Sligo-set film is a little rough around the edges, but it excels as a feel-good picture with its heart in the right place, writes reviewer Luke Maxwell.
Anne Maree Barry’s film is part documentary, part fiction and draws on the history of the north inner-city neighbourhood.
Zoe Kavanagh’s lo-fi, high-concept horror-action debut “Demon Hunter” is a bona fide B-picture that makes a lot out of a little.
A shortage of space means that some have been making films and series in warehouses. But during an acute housing shortage, is now the time to be giving land over to film studios?
This feature-length sitcom from the director of “The Stag” takes a semi-autobiographical look at adolescent male friendship, boarding school and family.
In Liam Gavin’s first feature film, dark forces and ritual misery give way to something truly affirming, writes Luke Maxwell.
This film “shows the quiet malice of standing by and letting people slip through the cracks of society”, writes Luke Maxwell.
This documentary weaves together candid footage and interviews to build up a story of the regeneration, exploring what was lost as the towers came down.
“Every time I expected the film to threaten its characters with danger of violence, I was pleasantly surprised to see gentleness and warmth instead,” writes Luke Maxwell.
Death comes to small-town America when a series of unusual and gruesome murders occur in this shoestring thriller that’s got “cult” written all over it.
This is not so much a rags-to-riches story as it is a rags-to-further-rags-and-then-contentment kind of story, writes Luke Maxwell. “I wasn’t born with a silver spoon up my ass,” Tommy Byrne explains.
This simple, low-budget film lasts just 38 minutes but it covers a lot of ground. It’s being screened in Temple Bar on Tuesday 25 October.