Dublin City Council, again, bans poster to spare US president's feelings
Even a version which made no direct reference to Trump and removed his image, and simply read: “No welcome for warmongers” was turned down.
This documentary tells the story of Dr Phil Kennedy, and his experiments on his patients – and himself – to create man-machine interfaces.
In this genre-savvy vampire film, a local tourist attraction becomes a death trap when an ancient evil awakens.
“There’s always a sliver of humour in [director Philip] Doherty’s approach to the film. Even its most dramatic material leaves room for a gag.”
A Girl from Mogadishu is an earnest championing of an inspirational and courageous activist. The film works best as an overview of, or a jumping-off point into, Ifrah Ahmed’s life and work.
The Castle follows a three-generation Lithuanian household in Dublin, worn down by Ireland’s carelessness and hostility to the hopes and dreams of immigrants.
The Blocks shows fond memories, but also how the fallout from addiction can be felt through generations of a family.
An unfulfilled family man finds some solace in the company of a male prostitute in the new feature film from director Peter Mackie Burns and writer Mark O’Halloran.
Director Daniel F. Holmes follows Irish footballers at the Homeless World Cup, showing how sport can give a sense of purpose to those who’ve suffered hardship and misfortune.
“For me, the double act managed to win me over, I believed in the cousins and rooted for them because they believed in one another,” writes Luke Maxwell.
“They have brought us to where we are today, especially for younger feminists and younger activists,” says director Emma O’Grady.
“The scope of the action feels like Slattery is manipulating clockwork miniatures in a grey diorama of Dublin, winding up a situation and letting it go off.”
“Captivating and infuriating, a real love-it-or-hate-it movie,” writes our reviewer.