Councillors back renewed focus on serious anti-social behaviour in council complexes
“We know there are issues,” said Dublin City Council Assistant Chief Executive Mick Mulhern, at a recent housing committee meeting.
Works that can be put on walls are on display at Draíocht in Blanchardstown now. Performances are coming to various locations in March.
“This is Roger Casement captured in a spotlight from the new Dún Laoghaire Baths during one of my runs in the January storms.”
Dublin City Council plans to renovate the old building where the D-Light Studios has lived for 15 years. But the artists don’t want to move out without a hard agreement they can return.
“The worse that she gets, the more it exposes what’s going on inside,” says the sculptor.
Researchers studying fabrics in Ethiopian books from the 1400s to the 1900s found they had come from as far west as England and as far east as China.
It’s a tense and chaotic 17-minute erotic thriller about a Gaelic football player hooking up with a crossdresser in a dark, secluded car park.
It’s music you’d be unlikely to hear anywhere else in the city, says musician Robbie Stickland, who often goes to her six-hour weekly slot at Fidelity on Queen Street.
Their exhibition, Banana Accelerationism, is on at The Complex, off Capel Street, until 25 January.
Ami Hope Jackson and Eileen Sealy have work at the College Lane Gallery in Howth, and a group show coming at Draiocht in Blanchardstown.
They’ve also chosen a new favoured operator, but artists already using the building are worried what it will mean for them.
There’s a scraggy Irish wolfhound, a fish and fishing rod, an elephant and a pair of vases. There’s no signature saying who made them.
“He’s telling you to look at where we live, to look at what is possible,” says artist and photographer Brian Teeling, about Bill Harris’s work.