The council has a new plan to regenerate the city centre “street by street”
“We should be able to try these big things and not be afraid of failure,” says Social Democrats Councillor Cian Farrell, who has spearheaded the initiative.
For Nghai Mai, what matters most is letting his audience know there’s more to Vietnam than American vets getting “flashbacks of Nam” in Hollywood films.
This book “is a must have for those investigating the history of piracy … or even for those who just want to see the fact beyond the fiction”.
It’s part of a wider projected called “What Does He Need?” which is trying to create a public conversation about the current state of masculinity.
“In this dream world, Dulu wanders soundscapes that feel endless in every direction, each song resembling fragments of different half-remembered hallucinations.”
This documentary tells the story of Dr Phil Kennedy, and his experiments on his patients – and himself – to create man-machine interfaces.
“I don’t want to express why I go there,” she says. “It just depends on what you’re ready to receive.”
Buildings on Merchants Quay and Bridgefoot Street would be transformed into artists’ studios, with community and rehearsal space – if it happens.
In this new book, animal exploitation is used as a lens to reflect the changing social, cultural and ideological fabric of the city of Dublin as it moved towards a new model of urban civilisation in the nineteenth century.
In this genre-savvy vampire film, a local tourist attraction becomes a death trap when an ancient evil awakens.
The jumping-off point for the exhibition is the way that living life on Zoom and other virtual platforms leaves people “with a false sense of community”, says Aoife Banks, one of the artists.
“There’s always a sliver of humour in [director Philip] Doherty’s approach to the film. Even its most dramatic material leaves room for a gag.”
Visual artist Tamsin Snow spent 12 hours once drawing dissected human body parts. She hasn’t looked back.