Keep fences and gates around Liberties apartment complex for now, council tells owner
The owner of Grand Canal Harbour shouldn't have installed the barriers, the council had said. But it decided they could have them for three years.
A young woman searches for her missing son through a miasma of her memories and dreams in director Viko Nikci’s surreal feature film debut, writes Luke Maxwell.
The Firehouse Film Contest’s organisers want to help filmmakers get over first-time jitters, inhibitions and procrastination – and share their movies with an audience.
There’s an export-licensing system for certain artworks and cultural objects already, and some say this should be extended to antique furniture too.
“It’s refreshing to hear so many stories of success and courage from women who have overcome a multitude of obstacles, not just to succeed, but to flourish in this new multicultural Ireland,” writes our reviewer.
Aoibheann McCann’s novel is “sensitive and melancholic”, “a poetic tale of a life that is anything but”, writes our reviewer.
Generally the audience either “detests it or loves it”, says Rouzbeh Rashidi. That’s a point of pride for him. They react.
“Erskine’s cutting insights into the lives of everyday people shine through” in this short-story collection, writes our reviewer.
Clive Shannon used to play for the RTÉ symphony orchestra. These days he plays at Urban Plant Life on Cork Street.
Director Bertie Brosnan takes a candid look at the downsides of celebrity in this “behind-the-scenes featurette”, writes Luke Maxwell.
The collective is mostly staff members who are artists, and professional artists with links to Connolly Hospital.
“I thought the documentary was worth making because nobody else had done it,” says writer and director Kevin Brannigan.
Allchival has over the past year focused on extracting forgotten threads of Irish musical history through reissues.