Teenagers turn their hand to banking in Emma Quigley’s debut novel, which captures the complications of adolescence in dialogue that fizzes with energy.
How companies dictate the way space is used, managed, and presented to the public is the subject of David Flood’s art exhibition “A Place Like All Others”.
“Whenever I felt as though I had a handle on director Niall McCann’s tricks or the limits of the film’s form, there was another surprise waiting for me,” writes Luke Maxwell.
Oscar López’s paintings draw on the 18th-century journeys of “the forgotten father of environmentalism”. His exhibition at Pallas Studios in the Liberties opens 21 February.
“Any nationality, no matter where you’re from, and we want to specify that: no matter where you’re from, we really want everybody to come together,” says Jayne Robinson.
When writers produce material that incorporates or is influenced by their own working-class background, it seems they still face an uphill battle to be recognised, writes Daniel Seery.
