Lorcan Rush wheeled a dance floor around Dublin, breaking the law everywhere from Merrion Square to in front of the Dáil, as his project for the NCAD graduate exhibition, set to run 9–17 June.
Cartoon Saloon’s latest animated feature tells the story of young Parvana’s life under the Taliban. “There is hard work and humanity in every frame,” writes Luke Maxwell.
Under the ribbed vaults of a Gothic cathedral in Dublin’s city centre, a sculpture serves as a reminder of the complex relationship between Dublin and Rangoon.
Bryan Fanning tells the stories of arrivals in Ireland by everyone from Celts to Vietnamese, painting the contours of the big picture with broad strokes, zooming in on individual stories, and keeping an eye on government policy.
A worn little face, large-eared and deep-eyed, sits unassumingly on a building, tacked on to the old warehouse at Grand Canal Harbour. It used to have another home.
In John Farrell’s new play, he tells the story of his life – born in Ireland, moved by the Sisters of Mercy to New York – up to the age of 25, when his first real love was murdered.
