Why has some of the greenery in city planters been left to wither?
The council hasn’t been able to find a contractor willing to take on the job of looking after these plants, a council official says.
Although it’s only nine years old, since so many former street-art hotspots have been lost to new development, it’s one of the oldest street murals in the city.
These were some of the issues that Dublin city councillors discussed at a recent meeting of their North West Area Committee.
It’s nothing to do with Marvel’s Spider-Man, says artist Kathleen O’Brien. Its meaning is rooted in the history of its north inner-city neighbourhood.
Not everybody is in a position to resume normality, artist Aine O’Hara says, and with “Sick Cards”, she hopes those overlooked have a chance to be seen.
“Can I really translate the essence of my humanity and my being into a digital version of myself?” Aisling Phelan asks.
The new version of their project, now called “Tender”, involves distributing postcards that people can send to the gallery to share their views on the situation.
Jesse Jones’ film and sculpture installation “The Tower” is due to run this summer at Rua Red, as part of its Magdalene Series.
Twenty artists are facing eviction from the Richmond Road Studios, but it’s unclear where they could go. Other studios are full – and have long waiting lists.
Eric N. Mack’s exhibition Scampolo! is scheduled to run in the Douglas Hyde Gallery at Trinity College Dublin until 29 May.
“Community tool” Anathema is designed to support young artists, undervalued, lost or disillusioned.
The sculpted relief was created in the ‘90s by Georgie McCutcheon, a painter, sculptor and activist in the field of disability and the arts.
Matin Salim fled Afghanistan after the country fell to the Taliban, arriving in Ireland in November.