Cover image for Dublin Inquirer print edition #123
"June is deeply associated with Áine, the Irish goddess of summer, fertility, love, and sovereignty, whose presence is especially felt around the midsummer season."
The Diageo-owned theatre on Watling Street has been left unused for many years.
So goes Michael J. Hartnett’s new play, which had a rehearsal reading this week at the Five Lamps Arts Festival.
“I'm having to be the guy telling the audience about it,” he said referring to a sex scene, “While acting it out. While playing the man and the woman.”
“Most of my stuff is very serious,” says writer and director Michael J. Hartnett. A friend and collaborator challenged him to write a comedy.
It’ll keep on running, as it has been, for now. But with financial support, and oversight, from Dublin City Council.
In different jobs, playwright Helen McGrath says she heard again and again from young mothers living apart from their children, trying to protect them.
A centre with a theatre, a black-box space, and rehearsal halls could cost €25 million to €35 million, a consultant told the council’s arts committee Monday.
A spokesperson for NCAD said it’s in talks with Diageo about what to do with the old 600-seat venue, including the possibility of a community use.
Nick Nikolaou’s new show Anatomy of a Night is an exploration of memory and identity through dance, spoken word, runways and lip-syncing.
Playwright Geoff Power’s “Stronger”, due to premiere at the Dublin Theatre Festival, dramatises an effort at “restorative justice”.
“Changing the Sheets”, written by and co-starring Harry Butler, along with Máiréad Tyers, is part of this year’s Dublin Fringe Festival.
A lot of contemporary music requires expensive venues booked months in advance, and funding for musicians and tech. “That rules out a lot of types of work.”