A new council sports forum looks to press schools and such to share their facilities
Amid a serious shortage of pitches in Dublin 8, the OPW only allows one soccer club to use its pitch at the War Memorial Gardens.
Rialto residents want more for their local green space, taken over by construction of the children’s hospital for years, than the council is now proposing.
These “refuge islands” are a symptom of wider issues around pedestrian infrastructure, walking tour guides say.
Buildings on Merchants Quay and Bridgefoot Street would be transformed into artists’ studios, with community and rehearsal space – if it happens.
A local councillor says she believes cuts are coming. The service says it’s going “to conduct a full review of all of its offices this year”, but no closures are planned just now.
The report lays out serious problems with how councils handle claims from people without Irish citizenship, and Travellers, that stops them from accessing shelter even when they are entitled to it.
In this new book, animal exploitation is used as a lens to reflect the changing social, cultural and ideological fabric of the city of Dublin as it moved towards a new model of urban civilisation in the nineteenth century.
In this genre-savvy vampire film, a local tourist attraction becomes a death trap when an ancient evil awakens.
The jumping-off point for the exhibition is the way that living life on Zoom and other virtual platforms leaves people “with a false sense of community”, says Aoife Banks, one of the artists.
Dublin city councillors held their monthly meeting on Monday night. Here’s some of what they discussed.
In almost eight years, just 229 households in the Dublin region have been able to strike a deal through the scheme to stay in their homes.
A team at University College Dublin has given sensors to households to track how much traffic goes past and how fast. The next step will be using that data to ask for changes.
“There’s always a sliver of humour in [director Philip] Doherty’s approach to the film. Even its most dramatic material leaves room for a gag.”