Greater use of red-light cameras on Dublin roads inches closer
On Monday, the National Transport Authority published a tender looking for someone to help it plan and oversee the roll-out of red-light and speed cameras.
It’s a tense and chaotic 17-minute erotic thriller about a Gaelic football player hooking up with a crossdresser in a dark, secluded car park.
It’s music you’d be unlikely to hear anywhere else in the city, says musician Robbie Stickland, who often goes to her six-hour weekly slot at Fidelity on Queen Street.
Their exhibition, Banana Accelerationism, is on at The Complex, off Capel Street, until 25 January.
Ami Hope Jackson and Eileen Sealy have work at the College Lane Gallery in Howth, and a group show coming at Draiocht in Blanchardstown.
They’ve also chosen a new favoured operator, but artists already using the building are worried what it will mean for them.
There’s a scraggy Irish wolfhound, a fish and fishing rod, an elephant and a pair of vases. There’s no signature saying who made them.
“He’s telling you to look at where we live, to look at what is possible,” says artist and photographer Brian Teeling, about Bill Harris’s work.
Members of Collective Gaji painted takes on artist Shin Saimdang’s works, using their own styles and techniques, for an exhibition now on in the library.
“Brimming with slapstick comedy and absurd plot, if you’re a fan of Mrs Brown’s Boys, this could be one to stick on your list.”
All over the city, there are unexplained features like this one, and Carmen Quigley loves to try to fill in the gaps around what they are, she says.
“My photo shows a cleaner using spirits to clean the bronze [statue of Molly Malone] so that the tourists may gape and grope once more.”
This “briskly paced, Irish-language sports film focusing on naomhóg racing” is “an underdog story that breezes past a lot of the generic formula”.