Why has some of the greenery in city planters been left to wither?
The council hasn’t been able to find a contractor willing to take on the job of looking after these plants, a council official says.
“In her poetry, Ethna MacCarthy appeared unafraid of challenging the hardships of the time, yet there are sparks of humour and a real sense of playfulness, too.”
Reenacting history goes way beyond dressing up, and deep into ideals of chivalry and honour. “It’s this idea of defending what needs to be defended.”
“The critical reverence around the band, their ascendancy to the top of the Irish cultural zeitgeist, is premature,” writes our reviewer.
Those working in Dublin’s north inner-city reflect on its “golden age” of community development – and draw varied lessons that resonate today.
A company offered to raise private funds to pay for the project, but hasn’t – and with the council now facing growing costs, councillors want closer monitoring.
The Beaver Row Heritage Players’ most recent project is a documentary on the history of the Donnybrook Cemetery and the people who have tended to it over the years.
“Shadows” tells the story of of two ex-lovers who meet in an alleyway, at a popular “cruising” spot for gay men. It’s set to premiere at the Dublin Fringe Festival next month.
The resulting exhibition or underground publication, she hopes, will be unveiled on 17 December, the International Day to End Violence Against Sex Workers.
“Fireflyes came from the desire to have something that’s not as mainstream as the rest of the Romanian music in Ireland,” says Rares Mihai Nicula, who plays guitar in the band.
“People always ask us what’s the theme and I always say the same as last time – the internal struggle to fit in,” says Saul Philbin Bowman.
They meet every Sunday in a different spot, where they quietly contemplate and capture the details that others usually overlook.
“The sheer number of jokes in Spa Weekend is impressive enough, that most of them raise a chuckle and many made me laugh out loud is better still.”