Greater use of red-light cameras on Dublin roads inches closer
On Monday, the National Transport Authority published a tender looking for someone to help it plan and oversee the roll-out of red-light and speed cameras.
Tony Strickland has put together a new show at Gallery X on Hume Street.
Throughout his debut album, “796”, the musician returns time and again to the tragedy, ensuring his fury hits every deserving target.
Carl Hickey lurks with a camera, recording images he’ll later commit to canvas: men with traffic cones on their heads, Spiderman brawling, a khaki-clad crowd.
“Intelligent, beautiful writing. Every sentence carries weight, enlightens or cuts. This is the art form of essay writing at its very best.”
Getting a tenant for the space that once housed the Eden Restaurant could help reduce anti-social behaviour on Meeting House Square, she says.
“Now, to mark its 40th anniversary, a new reissue has been released, offering the perfect chance for rediscovery.”
“A plan coming together makes for great cinema,” writes our reviewer, but this crime caper “appeals to that greater pleasure of seeing something come undone”.
“I don’t know, it’s to feel like you’re in a fantasy world of what Dublin used to be,” says Eddie Kenrick, on why he makes it.
With marker pen and pad, Nadine Maguire searches out the properties that spark a thought in her, a mental image of how they could look if done up.
“I’ll shit on your face. I will shit on your sambo, I’ll rob it, I’ll steal it,” Osaro Azams chanted over a bouncing beat. “I am a seagull. I am the law.”
This documentary by Seamus Murphy shows the DJ, star of children’s television, and poet to be “a pleasure to listen to and to be around”.
Both have new albums out, and they’re both Irish album-of-the-year contenders, writes our reviewer.